. . . excellently remastered . . . [Campora is] revealing a voice at once sturdy and supple, always at the service of his high-level musicianship and dramatic sensitivity . . . In every aria, Campora's beautiful legato allows plenty of play for rhythmic details, dotted notes and word accents, and his musical intelligence and dramatic instincts are superb . . . [Poggi] boasts a spinto voice with huge high notes and glorious amplitude in the grand phrases of Verdi and Puccini . . . [Prandelli] never forces his voice, sounding relaxed while artfully using his quick vibrato and superb control of long phrases.