OPERATIC RECITALS /GIUSEPPE CAMPORA & GIANNI POGGI

OPERATIC RECITALS BY
GIUSEPPE CAMPORA &
GIANNI POGGI

Orchestra of the Accademia Nazionale
di Santa Cecilia
Alberto Erede Ě Antonio Narducci
Int. Release 01 Sep. 2014
1 CD / Download
0289 480 8141 7
CD Premiere
Super Digital Transfer 24-bit/192 kHz
MOST WANTED RECITALS!


Track List

Giacomo Puccini (1858 - 1924)
Tosca

Act 3

Giuseppe Verdi (1813 - 1901)
Falstaff

Act 3

Umberto Giordano (1867 - 1948)
Andrea ChÚnier

Act 4

Arrigo Bo´to (1842 - 1918)
Mefistofele

Act 2

Act 4

Francesco Cilea (1866 - 1950)
L'Arlesiana

Act 2

Pietro Mascagni (1863 - 1945)
Lodoletta

Act 3

Giuseppe Campora, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede

Giuseppe Verdi (1813 - 1901)
Luisa Miller

Act 2

Il Trovatore

Act 3

10.
2:00

Giacomo Puccini (1858 - 1924)
Manon Lescaut

Act 1

Gianni Schicchi

Umberto Giordano (1867 - 1948)
Andrea ChÚnier

Act 4

Fedora

Act 2

14.
1:58

Gianni Poggi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede

Vincenzo Bellini (1801 - 1835)
Norma

Tragica lirica in due atti di Felice Romani (1788-1865)

Act 1

15.
2:33

Gino Penno, Angelo Mercuriali, Unknown Chorus, Unknown Orchestra, Antonio Narducci

Giuseppe Verdi (1813 - 1901)
Simon Boccanegra

Act 2

17.
0:50

18.
4:17

Gino Penno, Unknown Chorus, Unknown Orchestra, Antonio Narducci

Il Trovatore

Act 3

19.
2:09

Gino Penno, Unknown Orchestra, Unknown Chorus, Antonio Narducci

Gaetano Donizetti (1797 - 1848)
L'elisir d'amore

Act 2

Lucia di Lammermoor

Act 3

Don Pasquale

Act 2

Giacinto Prandelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede

Total Playing Time: 1:18:30

. . . excellently remastered . . . [Campora is] revealing a voice at once sturdy and supple, always at the service of his high-level musicianship and dramatic sensitivity . . . In every aria, Campora's beautiful legato allows plenty of play for rhythmic details, dotted notes and word accents, and his musical intelligence and dramatic instincts are superb . . . [Poggi] boasts a spinto voice with huge high notes and glorious amplitude in the grand phrases of Verdi and Puccini . . . [Prandelli] never forces his voice, sounding relaxed while artfully using his quick vibrato and superb control of long phrases.