SIR NEVILLE MARRINER, 1924 - 2016

Decca Classics, which includes the labels L’Oiseau-Lyre, Argo, Philips Classics and ASV, is deeply saddened to hear of the death of one of its greatest and prolific recording artists, Sir Neville Marriner. We extend our deepest sympathies to Molly (Lady Marriner) and all the family. 

Sir Neville Marriner and The Academy of St Martin-in-the-Fields (or “Marriner and the Academy” as they became affectionately known) led the way in the stereo recording of lighter, more transparent and, quite simply, better played performances of Baroque and, later, Classical repertoire. This happy combination of circumstances provided a whole generation of music lovers with recordings which to this day have stood the test of time. It is hard to imagine a record collection anywhere in the world unblessed by Marriner and his Academy. 

Neville himself was the ideal recording artist, first leading from the violin, and later when the group enlarged, as conductor. He had himself “sprung up though the orchestra as one of the team”  but remained always unpretentious and self-deprecating. But this was allied to a drive and passion that ensured standards were maintained at the highest level throughout, particularly in the recording studio. The result was that most professional orchestral musicians aspired to be in his orchestra.   

Founded in 1958 from an elite group of London’s orchestral players, the very first recording sessions in the Conway Hall in 1961 were for Louise Dyer’s  L’Oiseau-Lyre label. When she died the following year, Marriner and the Academy transferred over to Decca’s Argo imprint where many of the famous recordings of the LP era were made. Classics of the Baroque such as The Four Seasons with Alan Loveday were complemented by reference versions of Stravinsky ballets and Strauss’ Metamorphosen,  or glowing discs of Delius and Vaughan Williams (a recent box set entitled The Argo Years celebrates many of these recordings) .  In 1969, Erik Smith, a family friend and producer who had recently moved from Decca to Philips in the Netherlands, tempted Neville and the Academy to become Philips artists and their first recording, made on a cold January in an East London town hall was of J.C. Bach Symphonies. Over the next two decades  recordings continued to flow from Philips, Argo as well as other labels - not least surveys of Haydn, Beethoven and Schubert symphonies - but one composer dominated above all as Neville and Erik delightedly planned a cornucopia of Mozart leading up to the first ever Complete Mozart Edition for the 1991 bicentenary.  This included not only the complete Symphonies, Divertimenti and Serenades, but the Piano Concertos with Alfred Brendel, the mature operas and many rarely heard works. When the film Amadeus came out it was of course Neville & The Academy who provided the soundtrack.

 Later projects for the label seemed tailor-made for the genial wit of Sir Neville – bubbly Rossini (including three complete operas) and, an idea which initially horrified Molly, Gilbert & Sullivan’s Yeoman of the Guard.  Sir Neville was also the ideal accompanist of choice for countless soloists, including for the debut recording of Joshua Bell who would later succeed him at the helm of the Academy . Such was his fame, Neville received conducting invitations from all the around the world and several of these turned into notable recordings for both Decca and Philips. These included collaborations with the London Symphony and London Philharmonic, Philharmonia, Cleveland and Concertgebouw Orchestras, the Dresden Staatskapelle and three orchestras of which he was also Musical Director: the Los Angeles Chamber Orchestra, Minnesota Orchestra and Stuttgart Radio Symphony Orchestra.

Until the very end of his life Neville, accompanied by the indefatigable and cheerful Molly, toured the world including China and Japan.  All this showed a man who was simply beloved of orchestral musicians the world over. His passing will be universally mourned, but his enormous and remarkable recorded legacy will continue to inspire and delight.

 Costa Pilavachi, former Head of A&R and President of Philips Classics and Decca, said:  

"Neville was a remarkable conductor and delightful human being. He was the consummate professional, always curious and willing to broaden his musical horizons, totally dedicated to the welfare of his orchestra and throughout his long and colourful career, never dropping his very high artistic standards. We will all miss him terribly."

Paul Moseley, former Managing Director of Decca Classics and Director, Mozart 225 said:

"The news is a great shock because although 92, Neville was in obviously fine form right up until the end. His generosity was legendary: a few weeks ago in Salzburg he and Molly gave up their lunch hour between rehearsals to attend the launch of the Mozart 225 Edition -  a project which he enriched hugely with many wonderful recordings  including a concerto disc made only last year with the Jussen brothers and, naturally, his beloved Academy."