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Title: Bach: The 6 Cello Suites
Composer: Bach
Works: Cello Suite no.1 in G major / Cello Suite no.2 in D minor / Cello Suite no.3 in C major / Cello Suite no.4 in E flat major / Cello Suite no.5 in C minor / Cello Suite no.6 in D major / Sonata in G major, BWV 1027 / Sonata in D major, BWV 1028
Artists: Janos Starker (cello) / Gyorgy Sebok (piano)
Duration:

139.36:

Disc Content:

SACD 3-Channel Stereo / SACD Stereo / CD Audio

Recorded:

Ballroom Studio A, Fine Recording, New York, 15 April 1963 (Suite No.2), 15 & 17 April 1963 (Suite No.5), 7 September 1965 (Suite No.1), 7 & 8 September 1965 (Suite No.6), 21 & 22 December 1965 (Suites Nos. 3 & 4); 16 April 1963 (Sonatas)

Recording Format:

Three channel DSD recording [Left, Right, Centre]

SACD #: 470 6442 8 MSA2

 

The Hungarian cellist Janos Starker (born 1924) has long been regarded as one of the greatest cello virtuosos of the twentieth century, spending most of his professional life in America and starting out as principal cellist of the Metropolitan Opera, Dallas and Chicago Symphonies, before embarking on a worldwide solo career. At the height of his recording career (for many labels), he made some celebrated recordings for the American audiophile classical label, Mercury Living Presence, including the Dvorák Cello Concerto. These new Mercury SACD reissues present Starker scaling the Everest of the cello repertoire -- the six solo Cello Suites by Bach. Recorded in 1963 and 1965, the performances were quickly recognised as classic interpretations, and their subsequent CD reissue in 1991 immediately went into the top 10 classical bestsellers in the USA. Included in this new 2-SACD set are both the G major (BWV 1027) and D major (BWV 1028) Sonatas, in which Starker is accompanied by Gyorgy Sebok.

As with the great majority of MLP's stereo releases, the actual recordings were made using three microphones - a stereo pair, plus a central microphone. The LP (and subsequent CD) stereo releases mixed the centre channel into the two outer channels. Now - and for the first time -- SACD's multi-channel capability enables all three discrete channels to be present on the disc, allowing the listener to hear the recordings as they were originally taped (and as they were always intended to be heard, when future technology permitted). Enhancing this new opportunity is the significant additional fidelity gained through direct-to-DSD transfers from the original half-inch analogue masters, via DSD's much greater resolution, frequency response and dynamic range.

In addition to this first-time presentation of the three-track original recordings, the SACD also contains a high-resolution DSD stereo soundtrack, mixed to match as closely as possible the original LP stereo mix. Finally, as all Mercury Living Presence SACDs will be 'hybrid' releases, the SACD also includes a CD stereo soundtrack (Wilma Cozart Fine's original CD transfer), thus making the disc compatible with all CD players.

The covers and packaging have been kept within the famous Mercury Living Presence tradition, maintaining the logo banner, cover art and, where possible, original liner notes.

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