STRAVINSKY Sacre du Printemps 100th Anniversary Ed

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IGOR STRAVINSKY

Le Sacre du Printemps

Including all 38 recordings from
the catalogue of Decca,
Deutsche Grammophon and Philips
from 1946 to 2010
Int. Release 05 Nov. 2012
20 CDs / Download
0289 478 3729 9 20 CDs
ADD/DDD DB20 · partly MONO
100th Anniversary Collectors Edition


Lista de temas

CD 1: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

Concertgebouw Orchestra of Amsterdam, Eduard van Beinum

Part 2: Le Sacrifice

L'Orchestre de la Suisse Romande, Ernest Ansermet

Tiempo total de reproducción 1:06:03

CD 2: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

Part 2: The Sacrifice

RIAS Symphonie-Orchester Berlin, Ferenc Fricsay

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

Minneapolis Symphony Orchestra, Antal Doráti

Tiempo total de reproducción 1:05:01

CD 3: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Rudolf Albert, Orchestre Des Cento Soli

Le Sacre du Printemps

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

Paris Conservatoire Orchestra, Pierre Monteux

Tiempo total de reproducción 1:06:34

CD 4: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

L'Orchestre de la Suisse Romande, Ernest Ansermet

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

21.
0:00
0:23

Part 2: The Sacrifice

Minneapolis Symphony Orchestra, Antal Doráti

Tiempo total de reproducción 1:03:31

CD 5: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

Part 2: The Sacrifice

Berliner Philharmoniker, Herbert von Karajan

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

London Symphony Orchestra, Colin Davis

Tiempo total de reproducción 1:08:10

CD 6: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

Los Angeles Philharmonic, Zubin Mehta

Part 2: Le Sacrifice

Michael Tilson Thomas, Boston Symphony Orchestra

Tiempo total de reproducción 1:06:56

CD 7: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

London Philharmonic Orchestra, Bernard Haitink

Part 2: Le Sacrifice

London Philharmonic Orchestra, Erich Leinsdorf

Tiempo total de reproducción 1:07:44

CD 8: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

1.
3:27

3.
1:22

7.
0:22

Part 2: Le Sacrifice

9.
4:19

Wiener Philharmoniker, Lorin Maazel

Part 2: Le Sacrifice

Chicago Symphony Orchestra, Georg Solti

Tiempo total de reproducción 1:06:47

CD 9: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

Part 2: The Sacrifice

London Symphony Orchestra, Claudio Abbado

Part 1: L'Adoration de la Terre

21.
0:21

Part 2: Le Sacrifice

Royal Concertgebouw Orchestra, Colin Davis

Tiempo total de reproducción 1:08:03

CD 10: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

Berliner Philharmoniker, Herbert von Karajan

The Rite of Spring - ballet (1913): Part 1- The Adoration of the Earth

Introduction

18.
3:34

21.
0:21

Part II - The Sacrifice

Introduction

Simon Rattle, National Youth Orchestra Of Great Britain

Tiempo total de reproducción 1:08:17

CD 11: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

1.
3:16

3.
1:26

7.
0:18

Part 2: Le Sacrifice

9.
4:02

Boston Symphony Orchestra, Seiji Ozawa

Part 2: Le Sacrifice

Detroit Symphony Orchestra, Antal Doráti

Tiempo total de reproducción 1:06:15

CD 12: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

Israel Philharmonic Orchestra, Leonard Bernstein

Version for Orchestra (published 1921)

Part 1: The Adoration of the Earth

15.
3:32

18.
3:44

21.
0:21

Part 2: The Sacrifice

Orchestre Symphonique de Montréal, Charles Dutoit

Tiempo total de reproducción 1:11:57

CD 13: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

Part 2: The Sacrifice

The Cleveland Orchestra, Riccardo Chailly

Part 1: L'Adoration de la Terre

Part 2: Le Sacrifice

The Cleveland Orchestra, Pierre Boulez

Tiempo total de reproducción 1:06:06

CD 14: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

7.
0:20

Part 2: Le Sacrifice

Royal Concertgebouw Orchestra, Georg Solti

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

21.
0:25

Part 2: The Sacrifice

The MET Orchestra, James Levine

Tiempo total de reproducción 1:07:27

CD 15: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

7.
0:24

Part 2: The Sacrifice

Deutsches Sinfonie-Orchester, Berlin, Vladimir Ashkenazy

Part 1: L'Adoration de la Terre

15.
3:17

17.
1:19

21.
0:26

Part 2: Le Sacrifice

23.
3:52

Orchestre de Paris, Semyon Bychkov

Tiempo total de reproducción 1:07:04

CD 16: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

1.
3:30

7.
0:21

Part 2: The Sacrifice

9.
3:50

Berliner Philharmoniker, Bernard Haitink

Part 1: The Adoration of the Earth

21.
0:00
0:26

Part 2: The Sacrifice

Kirov Orchestra, St Petersburg, Valery Gergiev

Tiempo total de reproducción 1:07:45

CD 17: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

Part 2: The Sacrifice

Los Angeles Philharmonic, Esa-Pekka Salonen

French recording

1. L'Adoration de la Terre

2. Le Sacrifice

Myung Whun Chung, Orchestre Philharmonique de Radio France

Tiempo total de reproducción 1:05:45

CD 18: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Revised version for Orchestra (published 1947)

Part 1: The Adoration of the Earth

Part 2: The Sacrifice

Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel

Version for Piano Duet (published 1913)

Part 2: The Sacrifice

15.
3:06

Part 1: The Adoration of the Earth

18.
3:40

21.
0:14

Part 2: The Sacrifice

23.
4:40

Bracha Eden, Alexander Tamir

Tiempo total de reproducción 1:08:34

CD 19: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Le Sacre du Printemps

Part 1: L'Adoration de la Terre

8.
1:05

Part 2: Le Sacrifice

Gueher Pekinel, Sueher Pekinel

Version for Piano Duet (published 1913)

Part 1: The Adoration of the Earth

15.
3:55

18.
3:48

21.
0:29

Part 2: The Sacrifice

23.
4:29

Vladimir Ashkenazy, Andrei Gavrilov

Tiempo total de reproducción 1:07:04

CD 20: Stravinsky: Le Sacre Du Printemps 100th Anniversary Collectors Edition

Igor Stravinsky (1882 - 1971)
Violin Concerto in D

1.
5:54

2.
4:13

3.
4:29

4.
6:05

Samuel Dushkin, Igor Stravinsky, Lamoureux Concert Orchestra

Tiempo total de reproducción 20:41

. . . a comprehensive history of orchestral performance (and, to a lesser extent, recording technique) over the last half-century, and a fascinating overview of how a work that started life as a challenging, groundbreaking artistic statement morphed into a familiar, polished showpiece; eventually to be re-examined with fresh enthusiasm and newly considered interpretative perspectives . . . Stravinsky's masterpiece through the hands of some of its greatest champions. One thing is for sure: Le Sacre is the most vital and up-to-date centenarian alive today . . . The thing that struck me most forcibly about the performances from the 1940s and 1950s was their bounce: It is clear that this is music of the dance. Even Monteux brings a delicate spring to the rhythms . . . [others] launch into this music at full pelt -- as Solti does, for instance . . . Other impressive early performances include Fricsay . . . and Rudolf Albert conducting the Orchestre de Cento Soli (or One Hundred Soloists) in 1956 . . . Albert and his handpicked Parisian orchestra played a lot of contemporary music and it shows here. They never appear to be struggling with the trickier aspects of Stravinsky's score and display tighter ensemble than most of their contemporaries. By far the most gripping of these early recordings are the two made for Mercury by Doráti and the Minneapolis Orchestra . . . [Doráti] revels in the work's drama as well as its musical details. The Mercury sound, especially in stereo, remains excitingly present . . . [Karajan, Berliner Philharmoniker 1960]: it is a well-played performance. The musical standard is high in terms of orchestral balance and textural shading and the recording sounds quite good too . . . [Karajan] was a great conductor overseeing a splendid orchestra: His thoughts on the work are well worth hearing . . . A giveaway is the final chord . . . In the 1957 stereo version from Ernest Ansermet the chord packs a real punch, sounding like a meteor hitting the earth . . . The most compelling performances from these decades are those where the conductor finds dramatic impetus in the rhythms: LSO/Abbado (1975), Cleveland/Chailly (1985), and the Metropolitan Opera Orchestra under Levine (1992) . . . when Gergiev's recording with the Mariinsky Orchestra was released . . . a fresh and truly visceral Rite appeared. Not only does Gergiev reassert the work's theatrical origins, but recreates a genuinely Russian ambience. After all, many of Stravinsky's themes were deliberately modeled on ancient Russian chant. The Mariinsky musicians manage to sound simultaneously sophisticated and raw; the waspish composer would have approved. In fact, I would go so far as to describe Gergiev's recording as the new yardstick . . . Dudamel leads a truly dazzling performance: fleet and invigorating . . . this is terrific music-making . . . [Violin Concerto]: Dushkin brings plenty of panache to the solo part written for him . . . As with many recordings of new music -- the concerto was composed only four years earlier -- the performance has an in-your-face commitment and revels in the shock factor of its dissonant harmonies and rhythmic attacks . . . the results are fascinating and the rewards many . . . I would rather own the big box . . .

. . . monumental . . . the Decca box, which is a broad . . . overview of the work's discography, is full of majesty . . . a candy box . . . [Beinum, Royal Concertgebouw Orkest]: Admirably executed by the playing standards of the time, it is a sober, pitiless, and rhythmically measured account of the piece . . . Ansermet is impossible to dismiss . . . The hidden gem among the French recordings is that of the now-forgotten Orchestre des Cento Soli, conducted by the equally obscure Rudolf Albert . . . it's an insistent, urgent reading, suavely phrased and crisply articulated . . . [Dorati, Detroit Symphony Orchestra]: a Stereo Spectacular in every sense, with the different sections of the brawny Motor City band played off in brilliant competition . . . [Boston Symphony Orchestra, 1972]: the recording helmed by its then associate conductor, Michael Tilson Thomas, is unquestionably one of the finest ever made. From the stunningly long opening bassoon note, we know that we are in for a wild ride . . . Deutsche Grammophon's wizardly Tonmeisters give us a richly saturated Technicolor sound . . . Here, ladies and gentlemen, is bassoonist Sherman Walt, with Doriot Anthony Dwyer on flute -- legends conjured for our grateful ears . . . [Salonen, Los Angeles Philharmonic]: [an] enlightening experience . . .

. . . [Salonen/ Los Angeles Philharmonic (2006)]: für mich die Referenz-Aufnahme des "Sacre" . . .

. . . [Orchestre de la Société des Concerts du Conservatoire unter Leitung von Pierre Monteux (1956)]: außerordentlich interessant . . . Einen richtigen 'Sacre'-Krimi kann man beim Hören von Antal Doratis Einspielung mit dem Detroit Symphony Orchestra (1981) erleben: Doratis Spannungsaufbauten sind, wie schon der Einstieg mit den allmählich sich verstrickenden Melodiefäden zeigt, vorbildlich und werden gelegentlich zu fiebrigen Situationen gesteigert, aus denen dann der Rhythmus mit unbändiger Kraft hervorbricht. Die rhythmisch dominierten Passagen selbst zeugen von Präzision, dirigentischer Disziplin und nicht nachlassender, energiereicher Spannungkraft, die Wiedergabe in ihrer Gesamtheit erweist sich als klar strukturiert und übersichtlich . . . [Cleveland Orchestra unter Pierre Boulez (1991)]: [eine] in der Differenzierung der Orchesterstimmen ungemein genaue und feine Lesart . . . Insbesondere die ruhigeren Passagen im zweiten Teil gewinnen durch diesen Ansatz, da Boulez hier die Neuartigkeit von Strawinskys Klangfindung betont, aber auch die extreme Zeichnung von Kontrasten und Schärfen gegen Ende des ersten Teils hinterlassen bleibende Eindrücke . . . Fazit: Der Kauf dieser Edition lohnt sich auf jeden Fall, denn er regt zum Nachdenken an und ermutigt Hörer zum Interpretationsvergleich.

A-t-on jamais imaginé plus bel hommage discographique pour fêter une oeuvre aussi fondamentale dans l'Histoire de la musique ? Car bien au-delà de la quantité, l'opération permet de mesurer la qualité indéniable de la discographie du "Sacre du printemps", admirablement servi au disque . . .