Monteverdi: L'Incoronazione di Poppea - de Niese,

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Monteverdi: L'Incoronazione di Poppea - de Niese, Coote

de Niese Ě Coote Ě Orchestra Of The Age Of Enlightenment Ě Haim
Int. Release 01 Jun. 2009
2 DVD-Videos
DVD-VIDEO 0440 074 3339 3 DH 2


Track Liste

DVD 1: Monteverdi: L'Incoronazione di Poppea

Claudio Monteverdi (1567 - 1643)
L'incoronazione di Poppea

Original / Italian

Act 2

Paolo Battaglia, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Peter Gijsbertsen, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Paolo Battaglia, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Lucia Cirillo, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Alice Coote, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Emmanuelle Haim, Tamara Mumford, Orchestra Of The Age Of Enlightenment

Marie Arnet, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Iestyn Davies, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Danielle de Niese, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Amy Freston, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Act 3

Marie Arnet, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Danielle de Niese, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

14.
4:04

Tamara Mumford, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Wolfgang Ablinger-Sperrhacke, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Alice Coote, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Alice Coote, Danielle de Niese, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

18.
1:05

Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Gesamtspielzeit: 1:48:16

DVD 2: Monteverdi: L'Incoronazione di Poppea

Claudio Monteverdi (1567 - 1643)
L'incoronazione di Poppea

Original / Italian

PROLOGO

1.
2:32

Danielle de Niese, Alice Coote, Dominique Visse, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Sonya Yoncheva, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Act 1

Wolfgang Ablinger-Sperrhacke, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Danielle de Niese, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Tamara Mumford, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Paolo Battaglia, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Danielle de Niese, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Iestyn Davies, Orchestra Of The Age Of Enlightenment, Emmanuelle Haim

Poppea in Glyndebourne - Interviews

Poppea in Glyndebourne - Interviews

Poppea in Glyndebourne - Interviews

Poppea in Glyndebourne - Interviews

Poppea in Glyndebourne - Interviews

17.
4:48

Poppea in Glyndebourne - Interviews

18.
7:45

Poppea in Glyndebourne - Interviews

19.
5:49

Poppea in Glyndebourne - Interviews

20.
4:18

Poppea in Glyndebourne - Interviews

Emmanuelle Haim, Danielle de Niese

Gesamtspielzeit: 2:04:53

. . . The richly musical and searching interpretation on show here is in a league of its own; we are inexorably persuaded that the stark isolation of Poppea at the end makes perfect worldly sense. Emmanuelle Ha´m controls everything from the keyboard with brilliant finesse, underscoring crucial words and events with constant harmonic care . . . Danielle de Niese looks stunning in the title role, an marches the action with musical flexibility . . . The other singers are all good (Dominique Visse is terrific as the Nurse), and the presentation and sound are clear and effective.

. . . a terrific production that is, without question, highly recommended.

The cast is effective . . . The three principles of the prologue, Virtue, Fortune, and Love, act convincingly . . . Davies is a strong Ottone, demonstrating yet again that a good countertenor certainly is capable of giving voice to the emotions of the opera's music and text . . . Tamara Mumford displays the greatest vocal energy and focus of the evening, with a brightly ringing tone and seemingly effortless production. Coote creates a thoroughly believable monster of selfishness for an emperor, with dramatic insight matched by a disciplined tone . . . [De Niese] sings and acts credibly. Paolo Battaglia's Seneca is more of a basso profundo than a basso, to judge by his ease with the lowest notes of his role, with good command of cantabile -- and acts competently, too. Both Visse and Ablinger-Sperrhacke perform their travesti roles as the nurses superbly . . .

. . . ably conducted by Emmanuelle Haim, features the radiant singing of Danielle de Niese, whose portrayal of Poppea is one infused with ambition, pathos, and a seemingly joyous ending that gives a brief last-second glance to ultimate tragedy as Poppea foresees her fate even as she marches off to her wedding.

Geradezu aufregend ist die musikalische Realisierung durch die Dirigentin Emmanuelle Haim. Sie gewinnt Monteverdis Musik vibrierende Spannung ab. Und das finale Liebesduett hat wohl nie zarter und zugleich wollŘstiger geklungen. Gesungen wird au▀erordentlich gut . . . Danielle de Niese ist als Poppea atemberaubend sch÷n und kann schauspielerisch mit jeder Filmaktrice konkurrieren . . .

. . . ce nouvel apport Ó la vidÚographie montÚverdienne est des plus recommandables.